I meet Candice Swanepoel on a dreary almost-winter evening in Manhattan, at the downtown studio where she’s wrapping up a shoot for a spring issue of the Victoria’s Secret catalog. I watch the last “look,” for which she perches on a prop bed in the middle of a concrete studio filled with various fluffy-looking items (furry pillows, pastel ottomans, etc.) and models an electric-yellow bra-and-panty set. She rolls into dozens of bed-appropriate poses, one after the next, camera flashing. In action, she’s extraordinary—professional and focused, all business, killing each shot. A dozen people right out of fashion-shoot central casting, all wearing shades of black or gray, stand by watching every move.
When the shoot ends, Swanepoel changes into civilian clothes (a loose, long-sleeve white-cotton T-shirt, tight blue jeans with gaping holes in the knees, black Nikes) and we chat for a while on a couch nearby. Later that night she is meeting up with other Angels to watch the annual Victoria’s Secret Fashion Show prime-time broadcast on CBS: “We all watch it together and scream,” she says, conjuring an image out of a million male fantasies. “We eat popcorn and laugh at ourselves.”
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